Beck
Project Scope: Acoustic Design/Installation
Recording sessions were to begin within two weeks which meant this project needed to be expedited. These panels are unique as they are natural fiber instead of fiberglass. |
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Studio Before |
Studio After 1 |
Studio After 2 |
Studio After 3 |
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Hi - Five
Project Scope: Design/Build
Built in 1985 and located in Miami, Florida, Hi-Five was Steven’s first world class design implemented in a garage home studio. Hi-Five set a standard for state of the art home recording. |
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Control Room |
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Jim Kaufman
Project Scope: Acoustic Design/Installation
A combined treatment of custom absorbers, diffusors, and gobos were installed. New Audio Spatial Ones with their accompanying Stomper sub-woofer were chosen for the monitoring system. The combined result transformed an unworkable environment into a highly accurate and comfortable production space. Completed in 3 days.
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Before |
Console &
Front Wall |
Mix Position
Right |
Left Wall
Rear |
Back Wall |
Joey Waronker
Project Scope: Acoustic Design/Installation
Tecnifoam 4” Fireflex Pyramids were combined with pre-existing treatments helped solve the room’s acoustic response problems. |
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Front Wall |
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Ransom Records
Project Scope: Design/Build
Due to the size, shape and existing conditions in the control room a sound scattering method was implemented – This design uses diffusors to scatter early reflections and freestanding gobos to help absorb low frequency build up. |
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Right Wall |
Ceiling 1 |
Ceiling 2 |
Ceiling 3 |
Back Wall |
Money Bags
Project Scope: Design/Build
The studio is called “The Vault”— The owner wanted it to look like the inside of a bank vault. We used Gunstock oak trim, Silver Metallic fabrics and the floor is black Granite. The degree of ceiling treatment was necessary to quiet the room due to the reflective floor and semi-metallic fabric coverings on the walls. The slanted area of the ceiling was an existing condition. |
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Control Room |
Vocal Booth |
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Robert Troy
Project Scope:Acoustic Design/Installation
Combining a pair of Spatial One monitors, 1” Fabric Panels, QRD diffusors and 3’x 3’ gobos proved to be an extremely effective acoustic solution for Robert Troy’s sound design work room. |
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Back of Room |
Front Left |
Front Right |
Full Room |
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