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Steven Klein’s Sound Control Room, Inc.
Acoustic Design & Products
Welcome to the leading full service company
of
sound control solutions
for musicians and audio professionals.
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Acoustic Services
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Acoustic Products
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Recently Completed
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Web Site Index
www.soundcontrolroom.com
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CONSULTATION • DESIGN • CONSTRUCTION • INSTALLATION • TESTING • CUSTOM FABRICATION • FABRIC WALL SYSTEMS
See complete information at the SERVICES tab.
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Acoustic Consultation for Pro and Home Recording Studios, Post Production, Live Rooms, Theaters, Entertainment, Soundproofing, and more … |
Steven Klein has 35+ years experience in music studios. Starting in 1972 as an engineer/producer he joined the staff at Criteria Studios in Miami (senior staff engineer 1976 – 1982). With more than 30 gold and platinum records and hundreds of completed studios, you will receive professional, proven advice. Full service from bass traps to comprehensive interior acoustic design, studio equipment placement, speaker voicing, sound proof studio construction - large or small, our studio consultation service is affordable and designed to fit your needs. |
Design Services We have developed our service to offer professional acoustical and studio design at the most efficient and economical point.… |
By creating an ‘ala carte’ approach we are able to fit into your project at fixed costs without expensive retainers and lengthy contracts. We can create or provide assistance with all aspects of architectural design. This includes but not limited to: soundproof construction details, exterior elevations, floor plans, reflected ceiling details, acoustic treatments, specialized sound control material specifications, interior design, furniture, equipment placement, colors and finishes.
Common criteria we seek to achieve for proper planning: Room ratios that optimize acoustic response and ergonomic design to work within the aesthetic, artistic and budgetary guidelines of our clients.
Using computer aided drawing AutoCAD, we can design into existing architectural plans. We often work with clients outside our local area, in combination with the clients architect and engineesr.
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Construction and General Contracting services are exclusive to environments where acoustics and isolation are critical. |
We are a California Licensed General Building and Finish Carpentry Contracting Company, License #515303 issued 1987. We build and remodel critical acoustical environments in commercial and residential buildings. The scope of our work ranges from composer/producer rooms, state of the art theaters and recording studios, large multi-room production facilities, dance and performance venues, to small remodeling of home recording studios, practice rooms, and everything in between.
We have a core crew of master finish carpenters that make certain the details are finished to the highest standards. Our attention to detail is unmatched. Steven inspects and supervises all aspects to insure projects meet our specifications and are completed on schedule.
No other company can provide the depth of service and experience we bring to your project ... go from a dirt lot to compact disc all within the capability of one company. |
Installation – We install what we sell. |
Our clients have busy schedules; timely installation is a great factor. We can arrange an installation within a precise, sensible time frame, sometimes within days. We are accustomed to the recording studio environment and experienced at working around sensitive equipment. Minimize your downtime, because of our experience we are the fastest most efficient choice for your purchases.
Our installation crews have years of know-how. We have what it takes for your success. |
Products for your Pro and Home Studio, Recording Room, Home Theater,
Professional Post Production, Audio and Music Studio:
ACOUSTIC |
SOUNDPROOFING |
ROOM KITS |
ACCESSORIES |
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| PLANS – Info for planning and building music / audio rooms. |
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GUIDELINES FOR: AIR CONDITIONING • BALANCED POWER • INSULATION • ACOUSTIC MATERIALS
DETAILS FOR: SOUNDPROOFING WALLS • FLOATING FLOORS • STUDIO DOORS • STUDIO WINDOWS
PLANS FOR: RECORDING STUDIOS • EASY TO BUILD VOCAL BOOTH
See complete information at the PLANS tab.
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Article Previews |
• Guidelines for Air Conditioning
AIR CONDITIONING ADDS UNWANTED NOISE. IT IS CRITICAL THAT THE HVAC SYSTEMS BE QUIET.
1. Locate machinery as far away from rooms as possible.
2. Use the quietest units affordable.
3. Do not oversize units. Minimize air velocity as much as possible. Bigger is not better.
• Guidelines for Electrical Power
1. All wire shall be minimum, #12 copper stranded, THHN/THWN, #10 minimum on long runs.
2. Technical power to be on dedicated panel(s) with isolated ground buss. All other loads to be fed off separate panel(s).
3. Isolation transformers serving technical power shall be K-13 rated and U.L. listed.
4. Technical power circuits shall have a dedicated insulated ground conductor run in the same conduit with tech-power conductors. Ground wire to be same size or larger as conductor.
• Recommendations for Insulation
2 x 4
2 x 6
2 x 8 |
3.5 inch
5.5 inch
7.5 inch |
3” Therm/MW
R-13 fiberglass (3.5”), 2” Therm/MW
R-13 fiberglass (3.5”), 4” Therm/MW |
• Guidelines for Placement of Acoustic Materials
Every room has a unique sound. This quality (acoustic) comes from reflections and resonance inherent to room dimensions and construction materials. Contents of the room also affect its characteristics.
Perceived acoustics are a result of the decay of frequencies over time or reverb. It is coloration of uneven decay times that must be addressed in order to improve accuracy. Time is the challenge. Too often acoustics are approached solely from a frequency perspective. It is important to understand that acoustics are a combination of time and frequency.
All critical listening rooms require some reverb to keep from sounding ‘dead’. Acoustic design must address size and energy of wavelengths in order to reduce this energy smoothly over time. |
Details |
• Advice for Minimum Wall/Ceiling Layering in Critical Audio Rooms.
When deciding on the best wall assembly for your studio, you will discover many claims, statics, numbers, choices and opinions. Different testing methods, different claims from the same tests, competing manufacturers claiming to have the best solution, blogs and testimonies on the web, etc., etc. It is generally confusing which materials and assemblies are the best way to go. Without real world experience, gathering this conflicting information can produce a poorly informed decision, wasting precious time and money.
The best wall will have all of these characteristics; Stiff framing, high value insulation, entrapped air, decoupling, and mass.
• Details for Sound Control Wall Layering Over Existing Drywall.
• Details for 3-layers of Drywall with Vinyl Barrier, New or Existing.
• Instructions for Sound Control Wall Layering.
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Plans |
This booth is an easy, affordable, and pragmatic approach to creating a portable and flexible acoustical space. It can be placed in a large room to provide for an intimate acoustical environment or placed adjacent to an acoustically treated wall/corner. It can also be capped with a 3’x 4’ acoustical panel to provide for additional absorption.
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Steven Klein’s Sound Control Room, Inc.
EXCLUSIVE CUSTOM PRODUCTS
ACOUSTIC |
SOUNDPROOFING |
ROOM KITS |
ACCESSORIES |
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SEE ALL ACOUSTIC AND RECORDING STUDIO PRODUCTS
CLICK HERE
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YOUR INFORMATION WILL NEVER BE SHARED
Privacy Statement
| ADVICE - Articles and links to help you improve your sound studio. |
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See complete information at the ADVICE tab.
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Article Previews |
• Advice for Minimum Wall/Ceiling Layering in Critical Audio Rooms.
When deciding on the best wall assembly for your studio, you will discover many claims, statics, numbers, choices and opinions. Different testing methods, different claims from the same tests, competing manufacturers claiming to have the best solution, blogs and testimonies on the web, etc., etc. It is generally confusing which materials and assemblies are the best way to go. Without real world experience, gathering this conflicting information can produce a poorly informed decision, wasting precious time and money.
• Time to Rethink Bass Traps.
Are Bass Traps as important as we like to think? It is time to ask this question. Let’s first look at their history and evolution.
In the early, early days of acoustical recording, bass frequencies and transients could not be recorded, which is reflected in the popular music of the time. Dixieland had no bass and the drummer tapped on the rim of the snare drum. In early Jazz recordings a block of wood was used in place of the bass drum so as to avoid a booming bass. In the recording studio musicians gathered around a cone and balance was achieved by moving instruments away from the cone. The environment for this type of recording had to be without any type of bass frequencies; consequently, the first studio bass traps were born.
• Get a Bid, On What? Guidance for planning your project.
The purpose of this article is to give you the knowledge necessary to begin your project and insure a successful completion.
PROPER PLANNING:
Gives all parties a reasonable expectation, creates the greatest choices for owners, keeps contractors honest, prevents mistakes, enables accurate scheduling and saves time and money. When building, you cannot evade this truth: “Changes are expensive, Mistakes are more expensive, and Disappointment is priceless.”
• Guidelines for Placement of Acoustic Materials.
Every room has a unique sound. This quality (acoustic) comes from reflections and resonance inherent to room dimensions and construction materials. Contents of the room also affect its characteristics.
Perceived acoustics are a result of the decay of frequencies over time or reverb. It is coloration of uneven decay times that must be addressed in order to improve accuracy. Time is the challenge. Too often acoustics are approached solely from a frequency perspective. It is important to understand that acoustics are a combination of time and frequency.
All critical listening rooms require some reverb to keep from sounding ‘dead’. Acoustic design must address size and energy of wavelengths in order to reduce this energy smoothly over time.
• How much are you paying for your home studio? The answer may be more than you thought.
Today, working in your own studio is a dream that is easily realized. Flexible hours, low costs, no commuting, time for family, and creative business ideas all come together in the home-studio dream.
In a business of ideas, new thoughts and concepts are the goldmines of success. We have all heard stories of songwriters recalling mega-smash classic songs that started on a napkin or began as a riff on a portable recorder. Life-changing inspiration can strike like lightning.
You might think good luck made songs into hits. Good luck is most often the point where preparation meets opportunity. How are you preparing yourself?
• The difference between “sound proofing” and acoustic treatment.
Sound proofing:
Refers to the quantity of isolation or privacy one area has from another. It is very difficult to achieve and requires a total approach to the problem. There is no simple solution and partial methods don’t work. Most often construction is involved. Lightweight materials such as foam placed on a wall will have no effect to the bass energy passing through the wall.
The isolation products we offer are used in building systems to help attenuate sound. No product or system will work as a magic bullet solution - However, when materials are properly installed and combined in an overall system, they can be very effective for reducing sound transmission.
ALSO ON THE ADVICE TAB YOU WILL FIND LINKS TO INTERESTING ARTICLES.
• Saturn Polycylindrical Diffusor: Does It Run Rings Around the Competition? by Sound On Sound Magazine
• Design of the Sound System by Arthur C. Ludwig Sr.
• Mineral Wool versus Foam, some facts. by Ido, Yahoo Acoustics Group
• Room Acoustics and reverberation by Daniel A. Russell
• Standing Wave Acoustics Animations by Dr. Dan Russell
• The Audio Advisor by Elliot Cohen
• Reverberation Time Calculation by Armstrong
Great Solutions, Exclusive Products, Best Prices …
All from our industries leading manufacturers.
ACOUSTIC |
SOUNDPROOFING |
FABRICS |
ACCESSORIES |
GREEN MONSTER
MSR
PRIMACOUSTIC
RPG
THERMO-TILE
TECNIFOAM
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BILTRITE
GLT
PAC INT’L
QUIET SOLUTIONS
QUIET WINDOW
BONDED LOGIC
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C.F. STINSON
GUILFORD OF MAINE
MAHARAM
MAYER
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NEW AUDIO
PRIMACOUSTIC
TTS PRODUCTS
ULTIMATE SUPPORT
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CHECK OUT OUR CUSTOM ACOUSTIC PRODUCTS |
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New Articles by Steven Klein
“Time to Rethink Bass Traps”
“Enthusiastically sold on their benefits, and taken into this perennial belief acoustic
treatment starts with bass traps you may be ill advised.”
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YOUR INFORMATION WILL NEVER BE SHARED
Privacy Statement
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